The
Shito-ryu
schools
use
a
variety
of
Kata
from
the
various
Okinawan
styles.
However,
the
selection
of
Kata
used
is
not
uniform.
For
example,
Ryuei-ryu
Kata
were
only
introduced
into
the
Shito-ryu
schools'
repertoire
in
the
late
1970s.
The
school
of
Kenei
Mabuni,
the
eldest
son
of
Kenwa
Mabuni
and
Soke
of
Mabuni-ha-Shito-ryu,
does
not
include Ryuei-ryu Kata.
The
Ryuei-ryu
Kata
are
not
part
of
Kenwa Mabuni's original Shito-ryu.
Anker
History of Shito-Ryu
Until
1922,
karate
was
a
secret
art
in
Okinawa,
passed
on
only
to
family
members
and
select
students.
In
Shuri,
the
capital
at
the
time,
Sokon
Matsumura
taught
Shorin
Ryu.
One
of
his
students
was
Yasutsune
Itosu,
who
later
introduced
karate
to
elementary
schools,
thus
breaking
the
secrecy.
Another
master
from
Shuri
was
Gichin
Funakoshi,
who
studied
with
Anko
Azato
and
Itosu
and brought karate to Japan in 1922.
Kosaku
Matsumora
taught
in
Tomari,
a
port
city
near
Shuri.
Today,
the
techniques
and
Kata
from
Tomari
are
incorporated
into
the
Shorin
Ryu
schools
in
Shuri.
However,
no
distinct
Tomari
schools are known.
Kanryo
Higashionna
taught
a
form
of
karate
in
Naha
that
was
significantly different from the art practiced in Tomari and Shuri.
Kenri
Nakaima,
the
founder
of
Ruyei-Ryu,
also
came
from
Naha.
And the Aragaki school was located in Niigaki.
Gichin
Funakoshi
studied
Shuri-te
under
Ankao
Azato,
but
also
apparently
learned
the
Kata
of
Tomari-te
before
moving
to
Tokyo
and
laying
the
foundation
for
what
is
now
Shotokan.
Funakoshi
signed his calligraphy with Shoto, and "Kan" means "house."
Chojun
Miyagi
learned
Naha-te
from
Kanryo
Higashionna,
went
to
Osaka,
and
founded
Goju-ryu.
Goju
means
hard
and
soft;
ryu
can
be translated as direction or style.
Kenwa
Mabuni
learned
Shuri-te
and
Tomari-te
from
Yasutsune
Itosu
and
Naha-te
from
Kanryo
Higashionna.
He
also
learned
the
Kata
of
the
Aragaki
school
and
the
white
crane
Kata
such
as
Nipaipo,
Haufa,
Happoren,
and
Hakutsuru
from
the
Chinese
Go
Kenki.
Kenwa
Mabuni
also
went
to
Osaka
and
founded
Shito-ryu
there.
Shito
refers
to
the
nicknames
of
Itosu
(Shishu)
and
Higashionna
(Toonna).
The
name
of
the
style
is
thus
a
tribute
to
these
two
masters.
It
is
said
that
there
was
a
friendship
between
Kenwa
Mabuni
and
Chojun
Miyagi,
but
Gichin
Funakoshi
was
also
a
frequent
guest
of
Kenwa
Mabuni
in
his
dojo.
Among
all
masters,
Mabuni
was
known
for
his
immense
knowledge
of
Kata.
There
was
probably
no
other
who
studied
the
various
Kata
with
comparable
passion
and,
in
addition,
developed
at
least
eight
of
his
own.
As
if
that
weren't
enough,
Kenwa
Mabuni
also
studied
Kobudo
and
was
one
of
Shinken
Taira's
teachers.
He
is
a
master
who
is
responsible
for
the
publication,
dissemination,
and
thus
"saved"
of
many
old
Kobudo Kata.
When
Kenwa
Mabuni
died
in
1956,
the
division
of
Shito-ryu
began.
Not
only
did
his
two
sons,
Kenzo
and
Kenei
Mabuni,
found
their
own
schools,
but
other
Shito-ryu
masters
also
went
their
own
way,
modifying
the
original
Shito-ryu
as
they
saw
fit
or
adding
elements
like
those
of
Ryuei-ryu.
Well-known
schools
today include:
Mabuni-ha-Shito-Ryu
Seito-Shito-Ryu
Itosu-Kai
Tani-ha-Shito-Ryu
Hayashi-ha-Shito-Ryu
Hokushin-Shito-Ryu
Sukunashi-ha-Shito-Ryu
The
foundation
of
Shito-ryu
is
the
authentic
Okinawan
karate
of
the
Shuri-te,
Tomari-te,
Naha-te
schools
of
the
Aragaki
school,
and
the
White
Crane
school
of
Go
Kenki.
This
makes
Shito-ryu
the most comprehensive and versatile karate style of all.
With
over
60
Kata,
Shito-ryu
uses
more
Kata
than
Shotokan,
Goju-ryu,
and
Wado-ryu
combined.
Whether
it
makes
sense
for
a
karate
style
to
use
so
many
Kata
is,
of
course,
debatable.
On
the
other
hand,
no
one
has
to
master
all
of
these
Kata.
On
the
contrary,
Shito-ryu
offers
the
practitioner
the
opportunity
to
focus
on the aspect of karate they find most suitable for them.
Given
the
past,
when
there
was
lively
contact
and
exchange
between
the
schools,
especially
between
Mabuni,
Miyagi,
and
Funakoshi,
it
is
a
great
shame
that
this
was
no
longer
practiced,
or
only
practiced
to
a
limited
extent,
when
karate
first
began
to
spread.
Just
as
you
can
visit
foreign
countries,
you
can
also
attend
courses
that
are
open
to
a
particular
style
without
immediately adopting their “nationality.”
However,
it
becomes
problematic
when
Shito-ryu
Kata
are
only
superficially
learned
from
other
styles
and
then
used
in
competitions.
This
very
often
leads
to
an
incorrect
presentation
of
Shito-ryu
kihon,
which
cannot
be
recognized
by
spectators
and
referees
who
are
not
familiar
with
the
peculiarities
of
Shito-ryu.
If
this
happens
repeatedly,
this
incorrect
Shito-ryu
will
be
viewed
as
the
correct
one,
which
can
in
no
way
be
in
the
interest
of
Shito-
ryu.
This
can
only
be
prevented,
however,
if
the
athletes
in
question
make
a
serious
effort
to
learn
the
authentic
Shito-ryu
kihon
instead
of
simply
practicing
the
Kata
sequences.
This
naturally applies to other styles, such as Goju-ryu or Shotokan.
Shito-Ryu
Kihon Kata Ichi
Kihon Kata Ni
Kihon Kata San
Kihon Kata Yon
Ten no Kata
Chi no Kata
Heian Shodan
Heian Nidan
Heian Sandan
Heian Yondan
Heian Godan
Ananko
Bassai Dai
Bassai Sho
Bassai Matsumura
Bassai Tomari
Chinte
Chinto
Chinto Tomari
Jiin
Jion
Jitte
Kosokun Dai
Kosokun Sho
Kushanku
Matsukaze
Naifanchin Shodan
Naifanchin Nidan
Naifanchin Sandan
Rohai Matsumora
Rohai Matsumura
Rohai Shodan
Rohai Nidan
Rohai Sandan
Seishan
Wanshu
Wanshu Tomari
Kururunfa
Saifa
Sanchin
Sanseiru
Seienchin
Seipai
Seisan
Shisochin
Suparimpei
Tensho
Gojushiho
Niseishi
Sochin
Unshu
Nipaipo
Hakkaku
Hakucho
Hakufa
Hakutsuru
Happoren
Haufa
Shinpa
Aoyagi
Happo Sho
Juroku
Kensho
Kenshu
Myojo
Shinsei
Shiho Kosokun
Anan
Heiku
Pachu
Paiho
Paiku
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